As a part of the Visual Communication Design Program at Arizona State University, our senior year is heavily based on a social issue we feel connected to and is in need of advocacy. After selecting a social issue, we must dedicate ourselves to fully research our topic and identify problems and possible solutions while working on exploratory projects that helped us visualize these issues. With minimal direction from our professors, we are encouraged to try new things and develop visual design aimed to inform others and advocate for what we feel passionate about. 

I had a difficult time deciding what topic I was ready to research for the entire school year, but when I first began to research “Mass Incarceration”, I felt very passionate to learn more about its' connection to racial discrimination and about the ways it has impacted people of color in the United States. As a woman of color, I was drawn to advocate for the injustices seen in the U.S Criminal Justice System towards people of color to help and inform others. 


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The biggest project in the Fall semester is the clock project, An iconic assignment in the VCD program at ASU that is notorious to cause a lot of sleepless nights and the occasional tears. Students are asked to think of a way to display a certain message or statistic based on your social issue, while still displaying time accurately. With this project, we come up with a new visual way to represent a specific aspect of our issues and in my case, Mass Incarceration.

I wanted to push myself and stray away stereotypical visuals that are associated with prison or jail, such as handcuffs. I looked at using stripes to represent prison bars or the stripes in the prison uniforms or using red, white, and blue colors to represent the police force. I decided to really emphasize the racial disparity in the criminal justice system by comparing the size of the percentage of people of color in the United States to the percentage of people of color in prison. The difference being 67% of the prison population are people of color while only 37% of the U.S population is considered a POC. I represented these percentages with the size of the circles in my design and used depth to create a
“wall” around the rim of the clock to represent the eerie feeling of exclusion and separation. 

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